I don't remember exactly when I first said it properly. But I remember how the conversation went.

"What do you do?"
"I'm an illustrator."
"Ooh, picture books?"
"No, er, I do all sorts of things, like, er, maps and, er, drawing wildlife."
"Oh. Will I have seen your stuff anywhere?"
"Probably not... I've only just started out." [Embarrassed trailing off.]

The thing is, I said some version of that last line for nearly four years.

Earlier this Spring I responded to an open call for artists to provide illustrations for a Timeline wall for the new Living Barracks Museum here in Berwick-upon-Tweed. The brief seemed made for me, as someone who read History at University and has had a lifelong interest in heritage and as a Berwick-based illustrator looking to work on some more challenging commissions - and I’m so pleased to share that I was accepted to work on the project!

When I received the grant funding for this project back in September, I set myself quite a challenge. A series of original ink illustrations. A set of community workshops. A self-guided walking trail. And an exhibition. Looking back now, with Illustrating Wilson's Tales open at Berwick Library as of today, it's hard to believe how much has been packed into the last few months — and how much I've learned along the way.

Creating those first three illustrations — one each for Launcelot Errington and his Nephew Mark, Patrick Hume and the Governor of Berwick, and Grizel Cochrane — was an immersive experience. Each one involved working through the full process: moodboards, character development, thumbnail sketches, layout drawings, and finally the finished ink and wash artwork. It was slow, and deliberately so. All that thinking and decision-making felt essential.

After completing the research phase of my Illustrating Wilson’s Tales of the Borders project I began the next stage: Experiment and Explore. This is the point where my ideas moved off the page and into materials, and where the focus shifted from analysis to hands-on testing, learning, and play. Rather than working towards finished illustrations straight away, this phase was about discovering what feels right for the stories I’ve chosen, and for me as an illustrator.

Since receiving grant funding to begin my project inspired by JM Wilson and his Tales of the Borders, I’ve been taking some time to lay the groundwork for the illustration part of the project. Instead of diving straight into drawing, this early stage has been about slowing down and spending time with the stories themselves — getting a feel for the characters, settings, and themes before trying to respond to them visually.

There’s always a mix of excitement and nerves when a new product arrives from the printers. After months of drawing, tweaking colours, finalising the layout and ordering samples, it is always a relief to finally open the box and see the finished tea towel calendars stacked neatly inside.

I applied for some grant funding this summer for support for a project working in partnership with local organisation, the Wilson's Tales Project, and Berwick-upon-Tweed Library. With sincere thanks to Create Berwick and their funders - the North East Combined Authority and Northumberland County Council - I'm thrilled to announce that the grant was awarded in late August. In addition to creating some illustrations of my own inspired by Wilson's Tales of the Borders, I'm going to be designing a self-guided walking trail leaflet, and running some workshops to support others to create some artwork inspired by the Tales, culminating in an exhibition in the Library.

Over the past few weeks, I’ve been immersed in my sketchbook, carefully hand-drawing each illustration for my 2026 Calendar Tea Towel in ink, before layering in watercolour washes for detail and colour. It’s been lovely spending time on the little details – the bright splash of a robin’s breast, the patterning on a thrush’s feathers, or the soft texture of moss for a nest.

Take a behind-the-scenes look at this bespoke illustrated map commission featuring five iconic UK race tracks. A meaningful gift created in ink and watercolour for a 70th birthday – complete with a custom car illustration and hand-drawn circuit logos.

I’d love to create another calendar tea towel for 2026, but I need your help to decide what the theme should be! I’ve narrowed my ideas down to five themes and given a sense of the sorts of illustrations that might be included, but can you help me by voting for your favourite?

When author Amanda Roberts approached me to illustrate a map for her new historical fiction novel, Lady of the Quay, set in mid-16th Century Berwick-upon-Tweed, I had no idea it would grow into one of the most interesting projects I’ve worked on to-date. As an illustrator living and working in Berwick, and someone with a long-standing interest in history and architecture, this project felt like the perfect fit! What began as a commission to create an illustrated historical map soon evolved into a full custom book cover design.

As we kick-off another new financial year, I thought it would be helpful to reintroduce Coostie Illustration and Design, with a little bit of information about what I do and how you can work with me.

I'm Ali and I love illustrating British wildlife, bringing a wide range of flora and fauna to life through my drawings and paintings, where I aim to capture the spirit and form of birds, plants and animals in watercolour, pen-and-ink, or coloured pencil.

In celebration of World Whale Day (16th February 2025) I’ve created this watercolour illustration of three types of whale that can be seen off the coastline of Northumberland (as well as around the UK more widely). Here’s a little behind-the-scenes look at how I created the illustration.

The RSPB Big Garden Birdwatch is fast-approaching (24th - 26th January 2025) and I thought I’d take this moment to share with you why I love taking part in this citizen science project to observe and record the birds that visit my garden, what I do to prepare and how the activity inspires my art.

I'm really pleased to be able to announce that earlier this year I applied to Create Berwick for funding to support the development of some new workshops and I was awarded a grant! With thanks to Create Berwick's funders - the North East Combined Authority and Northumberland County Council.

My creative practice is fuelled by my love of the natural world, with much of my self-led illustration and design inspired by nature-based subjects. I really wanted to be able to support others to explore their creativity and help them to reconnect with nature to improve their wellbeing.

Thanks to this funding, I'm now a certified 'Green Sketching Ambassador' and I thought I'd just share a little about what exactly Green Sketching is and why everyone should give it a try.

I thought I’d showcase some of my ‘harvest’ inspired collections for you. All of my art prints and gifts are printed here in the UK and use sustainably-sourced materials. So if you buy from me, you’re not only supporting a British indie business, but also doing your bit for the environment, too!

It feels really early to be shouting about Christmas gifting at the beginning of October, but when I was doing markets in August people were confiding that the purchases that they were making were actually for Christmas presents! For some of you this post will therefore be perfectly-timed - I’ve got a lovely range of eco-friendly Christmas cards and wrapping paper already in stock, with more cards to come later this month, alongside drops of new gift sets featuring some of my best-selling designs, as well as commission slots for those looking to give something unique and bespoke!

When I started teaching myself to draw and paint as part of my mid-life career change, I seemed to unconsciously gravitate towards wildlife and nature subjects followed by a gradual focus on illustrating birds - specifically British birds - in all their variety.